Wolves Underneath the Stars

I've been thinking lately about niches, how I might be more successful in the Web-o-sphere if I wrote say, a vegan cooking blog, or had an allergen-rich child who had radically altered my life, and I could now show you how to prosper in the brave new world of wheat-less living. 

I don't have any aces like that up my sleeve.  In fact, trying to come up with a list of rules I like to live by, the first rule of Fight Club came to mind: You do not talk about Fight Club.  Except for me, it was more like - the first rule of living is: there are no rules.

Tim likes to quote the guidance he read in a book called Blue Highways:

1) Don't go around hurting each other

and

2) Try to understand. 

If there are rules in our house, those might be it, because there certainly aren't ones about cleaning things on time.

I guess rules are good for understanding how to live in community, how to care for one another, how to make space for those around you.  But I also think the human spirit is pretty intuitive, and when left to its own devices, I find it is a pretty benign, loving thing. 

I once wrote about how much wilderness means to me, and I've been seeing similar themes pop up here and there.  Lily at bigBANG studio wrote a gorgeous post this week about what wilderness does for her, and it made me think of this Wallace Stegner quote I've been sitting on, not quite knowing how to integrate it into the blog.  I guess the best thing is to just whack you over the head with it, so here goes (thump).

Have I mentioned reading Shopping for Porcupine, Seth Kantner's out of this world memoir about growing up in Alaska?  It is chock full of chipped, frozen knuckles, bear hunting, wolf hides, and moose.  In other words, my piece of heaven. 

I don't know how to explain how a girl who grew up in Connecticut, who hails from funeral directors and tobacco farmers in North Carolina, thrills while reading about harsh elements, extreme conditions, and homesteading.  I assure you, most of my free hours are spent day-dreaming on suburban streets, and wandering the fields of memoirs I adore, buns planted firmly on my porch rocker.  But still, I would only be half as alive, half as powerful, were it not for the wild spaces I love so much.

Here is another book that blew the door off my mind, about long-distance swimming in Arctic waters, of all things.  (If your library carries it in hard-cover, as mine does, it is a particularly beautiful cover.  When you get your hands on it, you should probably just sleep with it next to you like a big, watery promise.)

I suppose I'm getting at two things here.  The first is how important it is for me to explore in this life.  Besides woods and vistas and swampy lake curves, I probably enjoy exploring feelings best.  And the reason I love woods and vistas and swampy lake curves is because they resemble the un-tame parts in all of us - the messy, the scary, and challenging parts of being human. The not-easy parts, the one-size-fits-only-me parts, the parts that refuse to behave, and the parts that allow vulnerability and life-on-the-edge to rule supreme. 

Those are the parts of life I like to honor above all.  Anyone who can read can follow a list of rules.  Even more of a challenge, I think, is to let yourself howl wildly, a lone arc of hope across the crystalline night.    

I could end every post with a Josh Ritter song but try not to.  Here is one for you, though.  Do yourself a favor - go out and buy The Animal Years if you don't have it already.  Then go out and live your biggest baddest animal life.

XOXO
Kara

P.S. For those of you following the mysteries of my neighborhood, a family moved in down the street with, like, 15 children.  One of the youngest kids was out in the yard one night at dusk, dressed in a diaper, armed with a long stick, banging it with authority on a mound of dirt.  As Tim and I walked past, Tim joked, "Hey! A feral baby."  But seriously, that little boy took my breath away.  I don't necessarily want to be a baby allowed to run around in the dark past my bedtime without a stitch of clothing on, but the fact that someone out there is living an existence like that, and right on my street, well, that pretty much made my summer.

Comfort

One of the most comforting places in the world for me is my grandmother's kitchen.  She is not a gourmand, although she will try to feed anyone who walks in the door.  Her counters are stocked with Lance crackers, questionably-dated fig newtons sharing zip-lock space with muffins some friend has recently dropped at her door, and miniature marshmallows hardened into a block within their glass storage jar.  She keeps mini Cokes and Sprites on the fridge door, next to home-made cinnamon pickles and, once upon a time when her husband was still alive, ever-dubious yet somehow fetching quarts of tangy, rich buttermilk. 

Her kitchen table sits on a rug that sits on top of plush white carpet.  When I was in middle school, I used to do calisthenics Jane Fonda-style on the kitchen carpet while her husband, the only grandfather I ever knew, fried sausage on the stove and applauded my discipline, his big belly couched in a clean white T-shirt. 

This past Sunday morning, I woke up and made a bee-line for the stove to cook myself some bacon.  The smell of bacon frying in a restaurant nauseates me but at home, it transports me to Christmas mornings at my grandmother's house, my grandfather frying something on the stove, my uncle in a flannel shirt drinking coffee with my father, my mother in a turtleneck and jeans, my brothers and I racing between rooms like wiry kittens, waiting for someone to swing open the sun room curtain and reveal the Christmas loot. 

When Tim and I were in graduate school on the coast of North Carolina, we were a three hour drive from my parents' town, where my grandmother lives, and were able to make the trip often.  When we visited, one of my favorite things to do, besides drag Tim on the same hike through hilly woods past a drizzly waterfall and coal-black cows in their pasture, was to sit on my grandmother's sun porch, my feet in the recliner, leafing through her magazines (Cooking Light, Our State, Southern Living). 

Lately, when I think about how I want to feel in my life, I think how I feel when I am in my grandmother's kitchen.  I think of its safety, its crackery abundance, the way oatmeal or peanut butter or sliced fresh peaches abound.  The woman has nailed cabin coziness despite the fact that she lives in a ranch-style brick house, owns a Cadillac, keeps a piano in her foyer, files away mountains of antique linens in her closets, and displays an impressive collection of miniature poodles. 

I hope everyone knows a place like this - somewhere with mystery and chotchke and coziness aplenty - and I especially hope everyone knows a place like this when they are growing up.  I used to be entertained just rummaging through drawers in her spare bathroom: powder puffs, pods of pink soap, matches, combs, Christmas candles, a washing basin. 

Okay, I still poke through the bathroom when I go there, and seek out the piles of rose-colored wash cloths, folded like neat doll clothes, in her cabinet.  It's a type of genuflection, I suppose. 

Lately, I've been hoping I might offer a place like that some day, a place of rest and love and total comfort.  In the meantime, while I work on my collection of snack foods and antique linens, I give you A Brief History of Visits to My Grandmother's House, featuring a young Bear and I.

With love,
Kara

Life As You See It - Plus Cats

"Develop interest in life as you see it, in people, things, literature, music - the world is so rich, simply throbbing with rich treasures, beautiful souls, and interesting people.  Forget yourself." 
- Henry Miller

I once went to a fertility practitioner when my cycles became irregular.  She massaged ovaries for a living, and taught women to do the same for themselves.  She served tea in a basement room carpeted with oriental rugs and lined with peace-filled doohickeys.  I don't know what I was expecting, but I left feeling like a giant failure.  My cycles, however, snapped right in line. 

The practitioner asked a question about my relationship to my body, and I responded with essays-worth of material.  I tied my geographical location to various stages of esteem in this diatribe, at the end of which she took a giant breath and recommended a book called Wherever You Go, There You Are by Jon Kabat-Zinn. 

For some reason, I felt humiliated. I felt like I had legitimately opened up about something and was responded to as one might address someone who simply needs to get a grip, and here's a Dr. Suess-sounding book for sad sacks like you, to speed you on your way! 

Wherever You Go, There You Are is a best-seller about mindfulness and meditation, and let's be honest, I really did need to get a grip.  The book is truly not bad, as I found out recently when I finally speed-read it.  Isn't that what you are supposed to do with spiritual books - skim them? 

I read a tip on the Harvard Business Review website about how to listen to someone vent.  (Never mind that a knitting blog and the HBR are two of my favorite internet reads.)  The tip said something like, help the venting person identify their frustrations.  Jumping in too soon with advice could make them smash their fist into your nose (paraphrase mine).

Anyhoo, during my speed-read of the Jon Kabat-Zinn book this month, I came across the following and thought, as Paul Simon might, Hey...that's astute!  (Why don't we get together and call ourselves an institute?)

From Wherever You Go, There You Are:

"Our esteem problems stem in large part from our thinking, colored by past experiences....The wounds are important, but so are our inner goodness, our caring, our kindness toward others, the wisdom of the body, our capacity to think, to know what's what.  And we do know what's what, much more than we allow."

I sometimes overlook the innate kindness present in myself, and instead measure my life in unhelpful and even competitive ways.  But more than any on-paper accomplishments I've earned, the simple ability to genuinely care for people brings me mountains of self-esteem.  Nothing feels better than raw presence and kind attention.  It's elemental, totally free, and doesn't make me feel like I need to order a book from Amazon to "get life."

I like the pathway Amelia detailed on the blog we share, Grizzly & Golden.  She wrote about healing jealousy by opening her heart to another being's happiness. It is really beautiful. Click here to read, and leave a comment if you are feeling extra-credity.  Even though it appears like Amelia and I just want to gab with each other, really, that space is for all of us.

For more inspiration and data on the human spirit, listen to part of Phillippe Petit's Ted Talk on NPR's Ted Radio Hour.  That guy is out of his mind in the best possible way.

And, for your next dose of Animals On the Internet, check out 15 Cats Who Are Leaning In.  Just look at all those feline feminists in the workplace!

That is it!  Go out and be yourself - your best, caring, innate wise self that counts 100 times more than all the problems you think you have.  Otherwise, I will be forced to recommend best-selling books and trust me, no one wants that.

With love,

Kara

 

Lost Cause

I heard Beck's song "Lost Cause" this week, off Sea Change, and it threw me back to my twenties.  It's fair to say that everything throws me back to my twenties lately.  It's a little embarrassing. 

I think it has something to do with feeling comfortable in my life, and trying to reclaim the times when I wasn't so comfortable. 

Memory is a funny thing.  When I think of the three years I lived in New York in my early twenties, I was both tough and tender, both floundering and completely plugged in. 

It is funny, too, how my mind wants to cast judgement over specific years and call them one final thing.  The truth is, at all times we are both brilliant and stubborn. There are few years that can be bottled so easily.  Most honest labels would read something like:

Rooftop - 7th Street - Letters - Italians
Woods - Bears - Roommates - Wasps
Hurricanes - Surfers - Bricks - Timothy

In fact, it is an impossible mission, the labeling instinct, which is why I prefer stories and their many-limbed truth.

When I first heard Sea Change, I was newly standing on my own two legs, poking about the reeds of my life.  Certain things came slowly, like cooking, and steady employment.  Other things were always there, like optimism, and the belief that I would find love. 

For whatever reason, I have always believed that everyone in the world deserves a partner they are crazy about.  But while I was confident about the riches my future would hold, I was also wildly uninterested in the things that made a relationship work. 

I was dating myself, in certain ways, and perhaps this is what a young woman should do.  Even when I was in a relationship, I spent lots of time with the being inside me who loved walking for hours, gazing in store-windows, eating muffins from food carts, and treading her way slowly through the world. 

There are Q&As in magazines: What would you say to a younger version of yourself?  Believe in yourself, Go for it, are some wholly valid answers. 

But when I think of younger versions of myself, I do not think of pep talks.  Lately, I do not find many regrets at all.  Mostly I see a dreamy girl wandering along sidewalks, stopping to examine what interests her.  I feel proud to watch this drifting spirit.  I trust her and find her lovely. 

I want to say, Yes, girl. Stray.   

In honor of the heart's sacred catacombs, I give you:

* A warm, fuzzy, animals-on-the-internet link
* An awesome video by one of my faves, MGMT, who keeps it real in the weirdest of ways
* The latest Rabbit Hat Fix, in which Lukis and I fall down a worm hole of compassion

From the belly of August, I send you big dreams and bigger swaths of wilderness.  Get out there and roam, wherever you are called.

With love,
Kara

She Wants to Know the Stars

Genes
by Sharon Dunn

My eleven year son wants to fish,
he owns two rods, one saltwater,
one freshwater. He loves knives,
Bowie knives, Swiss Army
knives, "Knives like this one?"
my brother says, opening his desk
drawer and taking out a small
jackknife with antler handle.
My boy camps outdoors, begs to sleep
outside, is always shooting
arrows, rubber band guns,
he is lashing together a fort
in the backyard. He sails,
swims, kayaks and wants
to know the stars.
The outdoor hunting genes
are in the dark men in my family.
Yet I believe he is a son of light.
His joy in reading, cooking
and piano are fanned
from the tinderbox
of his father's heart.
He will save rainforest,
he will grow vegetables,
keep horses, fly his own plane.
He will make his own brave life,
he will not remake our lives
nor redeem us, nor pity us.

From Refugees in the Garden: A Memoir in Poems.  Copyright: The Rose Press, 2009.

My dad told me this story in a faraway voice full of tenderness and wonder.  There was no moral.  The whole thing had been both wonderful and terrible. 
- Barry Hannah

During the summer when I was little, I often swam in my next-door-neighbor's pool.  The twinkling waters splashed over our little limbs.  We dove backwards from the board and floated on inflatable lounge chairs.  Secretly I wished we were in a cool, dark basement, watching movies and eating Pop Tarts. 

Tim teases me that I am cold-blooded, that I can't properly regulate my internal environment.  I roast in the summer.  I freeze in the winter.  Maybe he is right.  But I like alligators.  I don't mind being in their company - metaphorically, I mean, although if there is a walkway or a boat, I like it physically, too.   

On the other end of the spectrum, we went to Montana recently, to Glacier National Park.  I honestly didn't know this park was in our country until very recently. 

It sounded so Canadian, so Icelandic!  But the park borders Canada, so I wasn't too far off.

Anyway, I like it there.  Bears, cats, goats, and sheep live there, plus an aggressive grouse that charged me on an otherwise mild hike around a beautiful lake. 

I read this piece in the New York Times by Margo Rabb about the perils of literary idols and would like to say two things:

1. O, how I love George Saunders

2. I cannot behave myself when people take shots at Hemingway and Mailer.  I might have done a victory lap around the office when I read these words by Saunders:

You can read Mailer or Hemingway and see - or at least I do - that what separated them from greater writers (like Chekhov, say) was a certain failing of kindness or compassion or gentleness...a willingness and ability to look at all of their characters with love.

If you are up for a fantastic collection of essays, please read The Braindead Megaphone.  You will not regret it. 

Sending love, and an invitation to my newest business (see below!)
Kara

Good Friends

Fishing in the Keep of Silence
by Linda Gregg

There is a hush now while the hills rise up
and God is going to sleep. He trusts the ship
of Heaven to take over and proceed beautifully
as he lies dreaming in the lap of the world.
He knows the owls will guard the sweetness
of the soul in their massive keep of silence,
looking out with eyes open or closed over
the length of Tomales Bay that the herons
conform to, whitely broad in flight, white
and slim in standing. God, who thinks about
poetry all the time, breathes happily as He
repeats to Himself. There are fish in the net,
lots of fish this time in the net of the heart.

When I first graduated from college, I moved to Denver, Colorado for a year and lived in an apartment by myself.  I often met my good friend who had her own place a short distance away, and we drank coffee, took walks, and watched movies together.  That year was a little piece of heaven, although I was confused as hell.  In the middle of all our coffee dates, grocery shopping, hikes in mountain lion country, my friend and I helped each other through the absolute cluster-fudge that is one's first year after school, and together we survived. 

Maybe that first year isn't so hard for everyone.  Maybe some people know exactly what they want.  Maybe they line up real jobs and have real relationships.  Maybe they move to sensible, medium-sized cities where they know someone with genuine laundry skills, someone who makes a decent pie crust. 

That would have been a good way to go, but I took a different route.  Many different routes, in fact.  My twenties were full of newness: new apartments, new relationships, new cities, new jobs.  On some level, I was probably searching for a home.  My parents had recently moved away from the town where I had grown up, and I no longer knew who my community was, much less where they were.  On another level, I was simply uninterested in anything I was supposed to be doing.  It wasn't that I was stubborn - though I was.  And it wasn't that I was driven - because I certainly wasn't.  I guess I was just hungry for a place that felt right, hungry for a piece of my own self which, because I couldn't always see where others ended and I started, I kept unwittingly slipping out of.  I wandered many streets, exploring, hunting, sniffing.  I wasn't sure what I was looking for and sometimes when I found it - in sun-drenched writing hours, in kind, smart friends - I did not always recognize that I had.

Living in Denver, my friend and I came up with a saying: It could be worse, we could be in Cheyenne.  For some reason, Cheyenne, Wyoming, a short drive north, represented to us the most desperate place in the world.  However we came up with it, our saying stuck.  We wrote it in letters we mailed to each other over the years, occasionally across the same town.  We said it on the phone, drinking coffee in our kitchens states apart.  Occasionally we got to say it in person, tipsy on our bar stools in New York, or driving mountain roads in North Carolina.

Many years after that first one in Denver, I moved back to Colorado, this time with Tim, to whom I was engaged.  We lived that first year in poverty, self-appointed but grueling nonetheless, for as Jeanette Walls writes in her astounding memoir The Glass Castle:  "Too much hard luck can create a permanent meanness of spirit in any creature."

Tim and I were lucky.  Our dip into poverty was short-lived, and not character-forming.  But it was a glimpse into a meanness I had not ever imagined.  Resentment formed a crust over many areas of my life.  It took months, even years, to thaw them. 

I don't regret it.  In fact, in many ways, the bleakness I felt was a doorway to strength. At the bottom of my sadness, I found something that couldn't be taken away from me, and that was creativity.  Making things.  Stories, blog posts, stationary for friends.  A life with Tim.  A home together.  Creating things built me.  I got to know myself, piece by piece, one humble revolution at a time. 

That first year, Tim and I drove to Cheyenne, tongues permanently in-cheek, and celebrated Valentine's Day at a restaurant chain.  I wrote my old friend from Denver and confirmed it: I had hit rock bottom.  I was celebrating a romantic milestone in Cheyenne, Wyoming.  Worse yet, I liked it. 

The restaurant was a sea of cowboy hats.  We waited a long time for a table but didn't care.  We watched people: the sprayed hair, the tasseled boots, the belt buckles.  Cheyenne's slogan is Live the Legend, something that cannot be said without a humongous HA! afterwards.  But part of that slogan is also true. 

Wyoming, like all things I love, is a little rough around the edges.  Okay, a lot rough.  It has dirt in its teeth.  It has time to kill. The land itself reminds me of what the American frontier might have looked like at one time.  But the towns have bookstores and craft breweries and generally are not as scary as they might at first appear.

 

This past weekend, I was in Cheyenne again, this time to see Alan Jackson perform.  Tim sat next to me on the grandstand overlooking a rodeo pit.  An elderly woman in front of us wore ear muffs. In July.  She was there to see Alan: I didn't judge.  Besides, it was chilly.  Tim lent me his hoodie and we huddled under a near-full moon. 

In short: it was heaven.  Big, redneck, irony-rich heaven.

And now, for the hard part. Last Friday, we put down our beloved dog, Bear.  We estimate that he was 13, a noble (and notable?) old dignitary.  He probably had cancer, but honestly, who the heck doesn't these days?  He was tired and had gotten finicky about eating.  He had lost mobility in his back legs, a surprise to us all, especially regal, independent Bear himself.  He made the best of it, succumbing finally to our help with the stairs, but, well, it was just time. 

It absolutely broke my heart.  That dog was one of the finest friends I've ever had.  I don't know why, but I was surprised, too, by the tenderness that rushed within me after he was gone.  I felt myself totally raw and open.  It reminded me of the oft-quoted, golden Leonard Cohen lyric:

“Ring the bells that still can ring
forget your perfect offering
there’s a crack in everything
that’s how the light gets in”

I never would have guessed that such a devastating event could hold so many kernels of sweetness inside it.  I felt myself grateful, so grateful, to have loved so completely, to have opened myself in spite of loss and all its risks.

May we all love so bravely, without remorse.

Tenderly,
Kara

Not Even Close to Famous

The Country
by Billy Collins

I wondered about you
when you told me never to leave
a box of wooden, strike-anywhere matches
lying around the house because the mice

might get into them and start a fire.
But your face was absolutely straight
when you twisted the lid down on the round tin
where the matches, you said, are always stowed.

Who could sleep that night?
Who could whisk away the thought
of the one unlikely mouse
padding along a cold water pipe

behind the floral wallpaper
gripping a single wooden match
between the needles of his teeth?
Who could not see him rounding a corner,

the blue tip scratching against a rough-hewn beam,
the sudden flare, and the creature
for one bright, shining moment
suddenly thrust ahead of his time—

now a fire-starter, now a torchbearer
in a forgotten ritual, little brown druid
illuminating some ancient night.
Who could fail to notice,

lit up in the blazing insulation,
the tiny looks of wonderment on the faces
of his fellow mice, onetime inhabitants
of what once was your house in the country?
From Nine Horses: Poems. © Random House, 2003

Summer speeds by with handfuls of cilantro and spritzes of lime.  The weather has been blissfully varied, with afternoon rain storms, cool mornings, and very few mosquitoes here in northern Colorado.  I tack this summer's weather onto my gratitude list every day, along with my lima bean-shaped dog, and my husband, who has my back in so many ways I cannot begin to count them. 

Mentally preparing for warm weather this past winter, after getting blasted by heat and wildfire despair last summer, I told myself: I will go swimming.  I will crash kiddie pools if I have to.  I will wear slippery tank tops and jeweled sandals.  I will drink fruity drinks. 

I have done all these things, except the kiddie pool.  Is it embarrassing that I am only now reaping the benefits of grounding, of following the seasons, when I am thirty-five?  Don't answer that!

I caught myself listening to The Strokes this morning, remembering years when I lived in New York after college.  Those years were a somewhat grave miscalculation of what I need in an environment, to say the least, but there was some good mixed in with the confusion. 

One of the good things was a brief internship at Interview magazine, where I was working when The Strokes album Is This It? crashed onto the scene.  For two weeks, I transcribed interviews between famous people and other not-so-famous people while The Strokes bounced around the cultural zeitgeist.  The magazine's offices were incredibly dark, arranged with important desks near windows and others, well, let's just say the room I transcribed in could have doubled as a broom closet.  But I loved the work, though I was completely intimidated by everyone around me.  I eventually had to leave because I had also applied for an internship at Rolling Stone, and when you get a call from Rolling Stone magazine, you answer that sh*t, you know? 

I had the great fortune of being a music intern there for the greater part of a year while I explored New York and various phases of my life.  At first I lived in catatonic disbelief that I reported to work on Sixth Avenue, and salivated nervously every time I was asked to do something cool.  On my first day, Roger Waters called to be patched through to one of my bosses, one of the kindest people I had ever worked for.  I met my brother down the street for coffee some days for lunch, and others grabbed a sandwich and walked to Central Park with another intern, a gorgeous young woman who went on to work in Bollywood and write a book about it. 

What is my point?  I'm not sure, except sometimes when wandering in a thicket of questions about my life, I try to remember other times I've felt lost.  What I recall is that, not only were good things happening during those times, but I was being cared for - by myself, by my friends, and possibly by some great, all-knowing love that I can't even guess at. 

Has anyone seen the movie Smashed?  I don't recommend it.  Like, at all.  But there is a scene in it, in which two recovering alcoholics piece through the journey of the younger alcoholic, who is newly sober.  Her sponsor, played by Octavia Spencer, says, "It's hard to live an honest life."  I think about this all the time now, and think, That's right.  That's what I'm getting at when I catch myself thinking that life is hard.

Because maybe life itself isn't so hard, but keeping your heart open for all it's trying to teach you is. 

Sometimes I think I could have embraced the opportunities I had in New York more, but other times, I see that I was slip and sliding all over the place spiritually.  I was doing the best I could, at the time.  Isn't that all we're doing anyway?

In honor of environment and culture, I give you:

1) The above poem from Billy Collins, which makes me ridiculously happy with its mice mouths and matches between tiny teeth. 

2) Some quotes from one of the greatest interviews I've read in my adult life, from the June 2012 issue of The Sun.  The interview takes place between interviewer Ariane Conrad and painter Ran Ortner, who said that thing we all loved about supporting your art instead of asking it to support you. 

* A culture is made by those who have a willingness to encounter life fully, to feel the storm of it and bring it back to us, so that we can put on Mozart's Requiem and listen to the fullness of the human heart...

* Awakening is a collective effort.  The more we can awaken individually, the more we will awaken collectively...

* ...I think that making art is profoundly and fundamentally life affirming.  To make art is to give, to pour yourself into life, so you don't die with the music still inside you.  You give it to your culture. 

Did you hear that?  Get your fine selves out there and give to your culture, please! 

Sending love,
Kara

P.S.  Completely coincidentally, Lukis and I posted an episode on our podcast this week about the movie Almost Famous, in which a young character gets assigned to write a story for, yup, Rolling Stone.  I never followed a Zeppelin-like band, or even a Skynyrd-like band, for weeks to write about them.  I barely left the office.  But the movie is fun, and discussing its merits and demerits was even more fun.  Hop on over to listen, if you're curious! 
XOXO

P.P.S. I am now changing my blog's name to, Kara Reads The Sun.